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Fela Kuti Fela's life is full of contradictions, and that's a large part of what makes him fascinating. People who love him accept the parts of him that aren't perfect. His songs typically last 20 minutes or more, and are performed in thick, almost incomprehensible Pidgin English. His music is influenced by Christian hymns jazz, classical music, Yoruba music, chant, and horn-and-guitar heavy highlife. He was a musician Fela Kuti embodied that music can be a powerful tool to transform the world. He used his music to advocate for changes in the political and social spheres, and his influence can be present in the world today. His musical style, Afrobeat, is a synthesis of African and Western influences. Its roots lie in West-African high-life music and funk however, it has evolved into a distinct genre. His political activism was ferocious and he did it without fear. He used his music to speak out against corruption in government and human rights violations. Songs such as “Zombie” and “Coffin for the Head of State” were bold criticisms of the Nigerian regime. He also referred to Kalakuta as a venue to connect with like-minded individuals and to promote political activism. The play includes a large portrait of his late mother, Funmilayo Ransome-Kuti, who was a well-known feminist activist and feminist pioneer. She is played by actress Shantel Cribbs who has successfully conveyed her significance in the life of Fela. The play also highlights on her political activism. Despite her condition deteriorating, she refused to undergo tests for AIDS. Instead she took traditional treatments. He was a singer Fela Ransome Kuti was a multifaceted person who used music to effect political change. He is credited as the creator of afrobeat. It was an energetic mix of funk, dirty and traditional African rhythms. He was a vocal critic of Nigeria's religious and governmental leaders. Fela's mother was a suffragist against colonialism, so it is not unusual that he has a love for political commentary and social commentary. His parents hoped that he would be a doctor but he had other ideas. A trip to America changed his life forever. Exposure to Black political movements and leaders like Malcolm X and Eldridge Cleaver had a profound effect on his music. He adopted a Pan-Africanism ideology, which would guide and inform his later work. He was a writer. While in the United States Fela was introduced to Black Power activists such as Stokely Carmichael and Malcolm X. This led him to start an organization called the Movement of the People and write songs that reflected the thoughts he had about activism and black awareness. His philosophy was expressed publicly by yabis – a type of public speaking that he called 'freedom expression'. He also began to impose a strict ethical code for his band, such as refusing to use medications from doctors trained in the West. Fela returned to Nigeria and began building his own club in Ikeja. The snares of officers and police were almost constant. His Mosholashi-Idi Oro hangers were able to repopulate the area around the club with drugs of all kinds particularly “bana” and “yamuna” (heroin). Fela was a steadfast person in spite of this. His music is a testament to his determination to challenge authority and demanding that popular ambitions are manifested in official goals. It is an enduring legacy that will endure for generations. He was a poet Fela's music employed sarcasm and humor to bring attention to economic and political issues in Nigeria. He also made fun of his audience, the government, and even himself. He also referred to himself in these shows as “the big dick on the pond with the little fish.” The authorities took his jokes lightly and he was often detained and imprisoned. He was also beating by the authorities. He was eventually given the title Anikulapo, which translates to “he is carrying his death in his bag.” In 1977, Fela released a song called “Zombie” in which he contrasted soldiers with mindless zombies who followed orders without asking questions. The military was offended by the song, which raided the Kalakuta Republic, burning it down and beating its occupants. In the course of the raid, Fela's mother was thrown out of her second-floor window. Fela developed Afrobeat during the years that followed Nigeria's independence. Afrobeat is a music genre that combines jazz with the indigenous African rhythm. His songs attacked European cultural imperialism and defended traditional African traditions and religions. He also criticized fellow Africans who betrayed their nation's traditions. He also stressed the importance of freedom and human rights. He was an artist of hip-hop. Fela Anikulapo Kuti, trumpeter and saxophonist, was born in Abeokuta in 1938. He is a pioneer of Afrobeat music. He was heavily influenced by rock, jazz, and roll as well as traditional African music as well as chants and music. After an excursion to the United States in 1969, Fela met Sandra Smith, an activist from the Black Power movement and her ideas affected his work profoundly. When he returned to Nigeria, Fela began using his music as a tool for political purposes. He criticised the government of his home country and also argued against Western sensibilities affecting African culture. He also wrote about social inequities and human rights violations and was often detained for his criticism of the military. Fela also advocated for the use of marijuana, also known as “igbo” in Africa. He often held public discussions at Afrika Shrine, called “yabis”, in which he would slam officials of the government and share his beliefs about freedom of expression and the beauty of women's bodies. Fela also had an entourage of young women, who performed in his shows and also served as vocal backups to him. He was a dancer Fela was a master of musical fusion. He fused elements of beat music, and highlife into his own unique style. He was a prominent African musician and vocal critic of colonial rule. Fela refused, despite being detained and tortured by the Nigerian military junta as being a witness to the murder of his mother. He died in 1997 from AIDS-related complications. Fela was a prominent political activist who was critical of the oppressive Nigerian Government and endorsed the ideals of Pan Africanism. His albums, including 1973's Gentleman focused on the oppression of both government and colonial parties. He also advocated black power and criticized Christianity, Islam and other non-African imports that divide the people of Africa. The title track from the album from 1978, Shuffering and Shmiling, describes the overcrowded public buses full of poor people “shuffering and shmiling.” Fela was a staunch opponent of religious hypocrisy. His dancers were an excellent complement to his music. They were vibrant, sensual and elegant. Their contributions were just as important as Fela's lyrics. He was an activist for the political cause. Fela Kuti was an activist who used music to challenge unjust authority. He made use of his knowledge of American jazz and funk towards African modes and rhythms, creating music that is ready for battle. Most of his songs begin as simmering instrumentals, slowly adding small riffs and melodies until they burst with urgency. Fela like many artists who were afraid to discuss their political views, was fearless and unbending. He stood in his convictions even when it was dangerous to do so. fela law firm , Funmilayo Runsome-Kuti was a prominent feminist who was the leader of the Nigerian Women's Movement. His father was both a protestant minister, and the teacher's union president. He also founded Kalakuta Republic, a commune and recording studio that was an expression of resistance. The government seized the commune, destroying the property and injuring Fela badly. He refused to relent, though and continued to speak out against the government. He passed away from complications of AIDS in 1997. His son Femi continues to carry on his legacy of music and politics. He was a father Music is often thought of as a political act, with musicians using lyrics to solicit change. However, some of the most powerful musical protests don't use words in any way. Fela Kuti was one such artist, and his music is still ringing out today. He pioneered Afrobeat that combines traditional African harmonies and rhythms with jazz and funk, inspired by artists like James Brown. Fela's mother, Funmilayo Ransome-Kuti was a militant and unionist who was a fighter against colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in the idea of a Nigeria that was serving its all of its citizens. Fela's son Seun is continuing his father's legacy, through a band called Egypt 80 that's touring the world this year. The band's music is a blend of the music and politics of Fela's day with a passionate critique of the same power structures that continue to exist in the present. The new album, Black Times, will be released in March. Thousands of fans paid their respects at the funeral held in Tafawa Balewa square. The crowd was so huge, that police had to block the entrance.